Lorenza Liguori

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Lorenza Liguori
Lorenza Liguori is an Italian visual artist based in Milan. She studied Graphic Design at RUFA (Rome University of Fine Arts) and Visual Communication at Birmingham City University in the United Kingdom.

After graduating in 2016, she worked as an art director and graphic designer in various creative studios. At the end of 2017, she began working as a fashion graphic designer for fashion companies focused on the streetwear sector.

In the meantime, she developed a strong passion for 3D graphics, which began during her studies and internship in Birmingham, UK. She learned to use software such as C4D and Blender, which allow her to express herself at her best.
It is precisely in 3D graphics that she found the ideal way to represent her creative aesthetic and bring to life a world that is abstract yet realistic at the same time. In her works, objects with often undefined shapes come to life in an imaginary universe, where landscapes become settings that host small creatures from other worlds.

The use of different materials plays a fundamental role in her aesthetic research. The fusion of color, substance, and form is the key to creating a three-dimensional object capable of living and surviving in the space in which it is generated. In recent years, she has also begun to integrate AI-generated images into her artistic and commercial works.

This new tool allows her to further explore her imagination and enrich the creative process with new visual suggestions, expanding the narrative and experimental possibilities of her visual language.
LORENZA LIGUORI
Lo Sguardo che Guarisce, 2025, video loop
The artwork originates from a profound dialogue between the human mind and an artificial intelligence capable of interpreting emotion, memory, suffering, and their aesthetic transfiguration into visual language with a new intensity.

It unfolds as a succession of gazes—eyes floating in an ethereal space, suspended between the visible and the invisible (some half-closed, others wide open, still others filled with liquid tears or transfigured into light).Each eye is unique, marked by one or more wounds: fine cuts like memories, cracks like broken promises, faint burns like unspoken nostalgia. The wounds are not static—they change over time.

It is as if the soul, invisible yet present, finds expression through the details, as if the scars become an emotional map, a testimony to an inner journey with no clear end, but a continuous becoming. By gazing into the eyes of others, the viewer may recognize their own wounds—or at least find the courage to reveal them.